简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
刘雅丽,苏玉华,罗冠兰,冯蔚蘅,吴大维,杨英伟,谢君豪,冯宝宝,毛舜筠,黄霑,黄百鸣
曾志伟,梁家辉,吴君如,黄宗泽,王祖蓝,李治廷,冯淬帆,袁咏仪,陈法拉,林欣彤,陆永,林雪,黎耀祥,麦长青,黄浩然,敖嘉年,金刚,黄日华,苗侨伟,廖启智,谢天华,徐子珊,午马,邵美琪,詹瑞文,张可颐,阮兆祥,麦玲玲,张坚庭,谭耀文,田启文,商天娥,吴卓羲,吕慧仪,汤盈盈,郑欣宜,八两金